During recent Feats of Strength, I had the ShareRiff of Noddingham pinned to the floor and forced him to admit mindphasedly his fleeting interest in underground music of Romania. Aşa!
With the falling of the Iron Curtain, new voices with a very heavy American influence took center stage in Romania. One of the more interesting aspects was the widespread popularity of rap music across all of Eastern Europe.
Young people everywhere seemed to empathize with the underlying themes of the ‘economically disadvantaged’ present throughout much of the hip-hop genre. Poverty, crime, corruption, a disgusted rage against the sense of hopelessness: it all resonated.
The natural consequence was imitation, the sincerest form of flattery. Kids in ugly communist-built neighborhoods fantasized about being coming a rap superstar and living large in an escapist reaction to their surroundings.
Not unlike the streets of America, where each year a new hip-hop king climbs to the top of the pile for a couple years before being replaced by someone new… while the record companies make all the money.
Rising like a phoenix from the ashes of Pantelimon, one of the least desirable neighborhoods in Bucureşti (itself the already dilapidated, crime-ridden capital of Romania) came the voice of three homies in 1993 who brought originality and legitimacy to hip-hop street scene in the guise of the Bucureşti UnderGround Mafia.

BUG Mafia clearly studied both the rapmasters of the East Coast, like Run DMC and Public Enemy, as well as the hip-hop giants of the West Coast, including NWA and Ice-T. They learned from the best of the original kings of the street. Forget fake acts like Eninem or flavors of the month like Chingy! BUG Mafia based their initial hip-hop efforts on the old school innovators who built up the craft.
However, they did put their own unique stamp on it as you might expect. The soundscape and lyrical contents are definitely Romanian, yet still accessible to the American hip-hop fan. Basically, if you like rap, BUG Mafia has got the goods for you, dawg.
Topics run the gamut of standard street themes about poverty, women, crime, and police as well as the political highmindedness of their musical forebearers discussing the sickening corruption and national pride (an interesting twist which is opposite of its American heritage).
The beats are phat and they know how to keep rhythm. They’ve got a host of accompanying sound effects, from police sirens and human vocal noise to bells and whistles. The bass can rattle your subwoofer and make them girlies kula shake.

Ready to sample a few tracks? It’s hard to take any group who has been producing records for nearly 15 years and boil it all down to a few highlights, but that is the task we’re faced with y’all. Imperfect as the selections may be, wrap your ears around “Romania” a song with strong undercurrents of national pride and financial independence through the underground economy which was their first mega-hit and took them from relatively obscurity into superstardom.
After that, peep more recent jams like “Garda” about corrupt police and the black market for drugs, “Ridica-Ma La Cer” about the difficulties of life in their neighborhood and the self-confidence/ambition it takes to rise above which also features a female R&B chorus relief, or my personal favorite “Exces Pervers” (take a guess).
BUG Mafia – Romania [mp3]
BUG Mafia – Garda [mp3]
BUG Mafia – Ridica-Ma La Cer [mp3]
BUG Mafia – Exces Pervers [mp3]
(Congratulations! You are now an elite member of an international conspiracy of music pirates, which the Recording Industry Association of America screeches about publicly while lining the pockets of politicians to prevent free competition.)

(Heh. Okay, relax. “Of the people who’ve so far been attacked by the music industry since 2003, not one has been found guilty of anything…” On the other hand, buying a physical CD legally could get you into trouble!)
BUG Mafia eventually went on to MTV fame and promoted new acts like cross-genre Paraziţii (literally, “The Parasites” – a sort of hip-hop meets acoustic guitar combination with highly politicized, intelligent lyrics and government-banned videos who remains one of the most popular groups in all of Romania) which in turn spawned independent spin-offs by artists like Cheloo.
Sample of Parazitii [mp3]
Sample of Cheloo [mp3]
Of course, there are other underground and former-underground groups. Even somewhat anonymous underground music, such as some folks at a advertising design firm who put together a parody of Manele music with lyrics about what it’s like to slave away for peanuts working on projects for silly clients who know nothing about design.
Manele Advertising Parody [mp3]
What’s that? You’re Romanian and know another underground musical scene worth detailing? Kewl! Email me or post a response to this!